LIGHTS, CAMERA, WHERE
IS THAT?
This
month Anthony takes us on a whirlwind tour of settings and backdrops of some of
our iconic movies, television and popular culture. But be warned, he gets a wee
bit existential by the end.
Our
tour starts in Salzburg, the setting, of course, of The Sound of Music. I was
originally going to write this newsletter entirely on Salzburg, but the way we
visited the city (i.e. grabbing a Sound of Music sights guidebook and running
around the City trying to picture Maria and the children in those locations) got
me thinking about the approaches of different locations to their iconic popular
culture moment.
Salzburg
is a reluctant Sound of Music celebrity. It would like to be more known for its
Mozart history and its stunning architecture. It does indeed extensively
promote its connection to Mozart and has a range of cultural festivals
promoting classical music and the arts. The Salzburger Dom (the city’s
cathedral) and Salzburg Castle are magnificent structures and worth a visit to
this city on their own. The hilly topography of Salzburg (it is in Austria
after all) means there are some wonderful vantage points from which to view the
city. Indeed one of these vantage points was a location for Maria and the kids
as they were Do-Re-Mi-ing all over the town.
Teenage
crush on Liesl notwithstanding, personally I wouldn’t have detoured from my
journey to see the setting of The Sound of Music, if it wasn’t for my wife
being keen to do so. Salzburg is a very picturesque city and I enjoyed my time
there, but I wouldn’t visit to revel in The Sound of Music experience. However,
I have been known to detour hundreds of kilometres to visit Elvis’s home
Graceland in Memphis and delight in
the gaudy memorabilia, shag carpet ceiling and rhinestone costumes.
Memphis
is a city that lives and breathes music. Its location on the Mississippi and in
the heartland of the Deep South mean that its musical roots extend further back
than Elvis and the advent of rock ‘n’ roll, and include blues, jazz and
country. Obviously unlike with a film production, the music scene has never
left Memphis (even if Elvis himself has left the building) and continues to be
a hub of musical creativity and performance.
Unlike
Salzburg, New Zealand
enthusiastically embraces its movie notoriety. It seems the whole country has
some connection to The Lord of the Rings or The Hobbit trilogies. And why
wouldn’t they get behind the venture? The production alone of The Hobbit: An
Unexpected Journey injected some $200 million into New Zealand’s economy, with
last year’s Wellington world premiere providing a $12 million boost. And
surveys after The Lord of the Rings trilogy revealed that some 7% of
international visitors cited the movies as the main reason or one of the main
reasons for visiting New Zealand. Air New Zealand certainly used The Hobbit’s
fame cleverly, with their Middle-Earth themed in-flight safety video going
viral.
Some
cities feature in so much of our popular culture, particularly movies and
television, that we feel we know much of the city without actually going there.
Indeed, apart from flying into the airport and immediately getting a bus out, I
have never been to New York, but
through the myriad of television and movies set in the Big Apple, I think I
have a reasonable understanding of its geography, vibe and people; from the
wondrous Central Park and iconic skyline to its sharp-tongued inhabitants,
sassy gal pals and dictatorial soup vendors (and its unfortunate role as a
principal target for alien invasions). I have some connection and affinity with
the city despite not having any personal experiences in New York.
So
posing some philosophical questions now, given that so many of our heroes,
leaders and dare I say it, loved ones, are completely fictional, do we travel
to these settings to try and make them that much more real to us? When we
arrive and see the disconnect between the fictionalised world and the actual
place, is it a bit of a let-down? It would be sad if Salzburg couldn’t be
enjoyed without Maria, or New Zealand without Frodo.
These
places are settings for the very reason that they are beautiful or vibrant or
memorable. It is not the fictional world which makes them so; indeed, it is the
wonderful and diverse places in our world which enriches our fantasy.
